The Royal Academy of Dramatic Art
FINAL YEAR PRESENTATIONS
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FASHION
by Doug Lucie
Directed by Euan Smith
Designed by Douglas Heap
Tuesday 1 June - Thursday 10 June at 7.30pm
Matinee: Saturday 5 June at 2.30pm
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A satirical view of the world of political advertising is wittily and scathingly realised in Lucie's brilliant play of Britain in the late 80s.

First produced by the Royal Shakespeare Company, it tells the story of a self-made high flyer about to land the Tory Party account. To win it he hires a once successful left-wing film director, now out of favour and out of work. No trick is too manipulative for this scurrilous world and Lucie's wickedly enjoyable play is both chilling and accurate in charting the dark days of "yuppie culture".

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TRUE DARE KISS
by Debbie Horsfield
Directed by Graham Watts
Designed by Vikie Le Sache
Wednesday 2 June - Friday 11 June at 7.15pm
Matinee: Wednesday 9 June at 2.30pm
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The lives of four young women in Manchester, United supporters all, are sharply charted in this highly praised play from the repertoire of the National Theatre.

Alice, Nita, Phil and Beth are the "Red Devils" whose personal stories are revealed through their love affairs, employment crises and domestic dramas. For one, a disastrous marriage has robbed her of her hopes; for another, hairdressing promises success. Desperately trying to hold onto her teens, football and punk culture are the key for a third and for the fourth the alien world of university is creating a gulf between her and her mates.

"A robust mixture of rough, go-getting romanticism and sardonic, whiplash Northern humour: Horsfield's view of the world is unsentimental and streetwise." The Observer
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STAGS AND HENS
by Willy Russell
Directed by Guy Slater
Designed by Heather Higton
Friday 4 June - Friday 11 June at 7.30pm
Matinee only: Saturday 12 June at 2.30pm
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Liverpool - a tacky club, where David and Linda are holding their stag and hen parties the night before their wedding. The only problem is, neither knows the other is there.

This is one of the best achievements of the writer well known for Educating Rita. His ear for the edgy, bleakly funny dialogue of his native Merseyside is unerring. He unfolds a lively, coarse and ultimately accurate picture of folk whose lives are losing their meaning.

Set in the respective Gents and Ladies loos the action moves rapidly between the two groups, desperate to celebrate but confronting the loss of hope at every moment. Yet the Liverpudlian ability to survive through humour ultimately triumphs.
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