The Royal Academy of Dramatic Art
2007-2008 FINAL YEAR  PRODUCTIONS

Access to all theatres is in Malet Street

GBS Theatre
Vassa
By Maxim Gorki
Translated by Tania Alexander and Tim Suter
Directed by Joseph Blatchley Designed by Marcus Robinson
Wednesday 24 October – Saturday 3 November at 7.15pm
Matinées: Saturday 27 October and Wednesday 31 October at 2.15pm
Tickets: £7.00 to £11.00 – click here for details

The outstandingly successful revival of Gorki’s “Philistines” at the National Theatre has reminded audiences of the power and originality of Chekhov’s protégé. Gorki’s extraordinary and often violent early life gave him an insight into the often savage behaviour of the Russian petit bourgeoisie, peasants who had clawed their way into the new middle class.

The story concerns the struggle for the inheritance of Zahar Zheleznov. As his children and relatives quarrel over the spoils, Vassa his wife, is prepared to commit any crime necessary to keep the business which she has sweated to build up. “For the sake of your children...nothing is shameful, nothing is ever a sin.”

This fascinating study of a strong matriarch is not without wry humour as it exposes the follies of greed.

Jerwood Vanbrugh Theatre
Dolly West's Kitchen
By Frank McGuinness
Directed by Nick Hutchison
Designed by Alison Cartledge
Thursday 25 October – Saturday 3 November at 7.30pm
Matinée: Saturday 3 November at 2.30pm
Tickets: £7.00 to £11.00 –
click here for details
Monday 29 October: Aftershow discussion with the director and cast

The Irish Republic, a neutral country in the Second World War, is the setting for this witty and compelling play about a conflict closer to home.

In Dolly’s kitchen, just south of the border with the north, an Irish family come face to face with the ‘allies’ – English and American soldiers who slip over the border for relaxation and romance. But the tensions of relationships old and new transform the lives of those who meet there forever. McGuinness’ ear for the nuances of speech makes this a fascinating example of how three cultures using the same language can be so easily at odds with each other and lead to misunderstanding with devastating results.

The characters are beautifully drawn in their complexity and the play has had equal success in its productions at the Abbey Theatre Dublin in 1999 and subsequently at the Old Vic Theatre in London and in translation in Tokyo.

GBS Theatre
Gabriel
By Moira Buffini
Directed by Tamara Harvey Designed by Simon Hodgson
Wednesday 28 November – Saturday 8 December at 7.15pm
Matinées: Saturday 1 December and Wednesday 5 December at 2.15pm
Tickets: £7.00 to £11.00 –
click here for details

1943, on the island of Guernsey during the Nazi occupation of the Channel Isles, is Buffini’s location for an intriguing and brilliant contemporary play, winner of the LWT Plays on the Stage Award in 1996.

When a naked young man is washed up on a beach, fluent in both English and German but with no recollection as to who he is, speculation begins among the local population and the occupying forces.

Is he an SS man or a British pilot? An innocent or a spy? Has he truly lost his memory or is he hiding a dangerous identity?

As he begins to attract attention from the women who shelter him and from the German commandant, his presence puts the islanders in increasing danger.

Jerwood Vanbrugh Theatre
A Servant to Two Masters
By Carlo Goldoni
In a new adaptation by Lee Hall
Directed by Nicholas Barter Designed by Norman Coates
Thursday 29 November – Saturday 8 December at 7.30pm
Matinée: Saturday 8 December at 2.30pm
Tickets: £7.00 to £11.00 –
click here for details
Monday 3 December: Aftershow discussion with the director and cast

To celebrate the 300th Anniversary of the birth of Goldoni, the great comic genius of Italian classic theatre, we present one of Goldoni’s funniest and most lively plays in a fast moving and vernacular adaptation by Lee Hall which was commissioned by the RSC in 1999.

First staged in 1745, Goldoni revolutionised the improvised Commedia dell’Arte with its stock characters and created a realistic text with more psychologically complex characters, whilst drawing on the twists and turns of the traditional plots.

Truffaldino, a peasant trickster, is always on the lookout for a job and the next meal. When the opportunity arises to work for two masters at once and earn two wages, he seizes the opportunity without taking any thought for the difficulties of the task, not least because one of his ‘masters’ is a woman in disguise. The result is considerable confusion in which he has to think twice as fast as everyone else.

Ticket Price Subscription Service
We are delighted to announce the launch of RADA’s new subscription ticket service designed to reward loyal customers by ensuring that if you book more than one production in a season, you will receive all of your tickets for that season at a reduced rate. Here’s how it works:

• If you book 1 production in the season you will pay £11.00 for your adult tickets *
• If you book 2 productions in the same season you will pay £9.00 for your adult tickets *
• If you book 3 productions in the same season you will pay £8.00 for all your tickets
• If you book 4 or more productions in the same season you will pay £7.00 for all your tickets.
* all standard concession tickets are £8.00.

Simply complete the booking form with the production dates and number of tickets as usual. Once you know the total number of performances you have booked, please tick the appropriate box below to indicate how much each ticket will cost. Please note, to qualify for the discount all tickets for the season must be booked at the same time. The discount applies to customers attending multiple
performances of the same production and/or performances of different productions

If you have any questions please call the Box Office on
020 7908 4800 who will be happy to help.

Tickets for all the performances and events listed in this website are available from the RADA Box Office only. The Box Office entrance is situated in Malet Street and is open Monday-Friday from 10am to 6pm. RADA Stars advance booking opens Monday 10 September. Public booking opens on Monday 17 September. Ticket prices apply to all the third year and second year student performances in the Jerwood Vanbrugh Theatre, GBS Theatre and the John Gielgud Theatre.

*CONCESSIONS: Senior Citizens, Under 16s, Students, UB40s, Equity Members, Camden/Westminster Rescard holders and Disabled Patrons. (One companion accompanying a disabled patron may be admitted at the concessionary rate.) I.D. will be required upon collection of tickets. Tickets can be reserved for a maximum of three days. Tickets reserved within three days of a performance must be paid for within 24 hours. Unpaid tickets may be released for resale, therefore we recommend payment in advance.

The Box Office accepts: Visa, MasterCard, American Express, Switch, Solo, Cheques and Postal Orders. Cheques should be made payable to: The Royal Academy of Dramatic Art.
PLEASE BOOK IN ADVANCE. WE STRONGLY RECOMMEND POSTAL BOOKINGS WHEREVER
POSSIBLE TO ENSURE YOUR REQUEST IS PROCESSED EFFICIENTLY
.

Tickets are usually non-refundable. Tickets can only be refunded in cases of show cancellation or in exceptional circumstances at the
discretion of the Box Office Manager. Refunds will be made by cheque. Tickets can be exchanged if the performances are in the
same run and there is availability. No exchange fee will be charged.

Currently all seating in our three auditoria is unreserved. There is no admittance to the auditorium without a ticket. Each ticket
represents a single seat though not a specific one. If tickets are lost, please inform the Box Office Manager to obtain a duplicate ticket
slip, which will serve to gain access to the auditorium and override the original ticket. Specific seating requirements such as an aisle seat or wheelchair spaces should be made known to the Box Office at the time of booking so that the appropriate arrangements can be
made. Latecomers will not be admitted until a suitable break in the performance.

In the event of a show being fully booked, the Box Office staff wil make every effort to inform you that this is the case and arrange an
alternative date. Names will be placed on the waiting list in order of receipt and any returned tickets will be distributed at the discretion of the Box Office staff. Whilst the Box Office does its best to ensure that everyone on the waiting list is accommodated, tickets cannot
be guaranteed.

Back to poster
Back to index